About

During the holidays, Sophia Mann immersed herself in her family's North London warehouse, nestled in a dark alley in Kentish Town. Amidst the scent of dusty boxes, she navigated aisles teeming with costume jewelry treasures. Sophia Mann crafted long necklaces by rummaging through troves of broken jewelry, surrounded by a spectrum of beads from swarovski set stones to czech glass beads. This experience naturally cultivated her profound understanding and affection for these materials, a sentiment that now pervades and shapes her artistic endeavors.

Black and white photograph of a person wearing an ornate, decorative pearl necklace covering the chest area, with a large pearl at the navel. The person's face is not visible.
A woman with curly red hair and glasses working with a jeweler's saw at a workbench.

Sophia Mann grew up around jewelry — her family’s business started in Paris and later became one of the first fashion jewelry houses in the UK. After working in the industry for several years, she studied at Central Saint Martins, where she developed her own style using beads, silver, and sculptural forms.

Her work is all about creating meaningful, well-made pieces that feel personal and are built to last — a quiet alternative to fast fashion, rooted in tradition but made for now

Guided by family values and tradition, Sophia’s work is especially attuned to the emotional depth of wedding jewelry. “I grew up around jewelry, so my connection to the materials is unique,” she says. “Crafting pieces for weddings is deeply personal — it’s about honoring love, legacy, and the stories we carry forward.”

Her mission is to use traditional materials in innovative ways: lace with silver, Swarovski stones with glass beads, chain-mail with freshwater pearls. Each design is a conversation between old and new — a celebration of originality and care.

Sophia Mann’s creations reflect the sacred feminine: fluid, expressive, and full of feeling. “I want my jewelry to mirror the body’s movement, with soft, organic lines representing this. I aim to offer something beautiful, original, and well-crafted, allowing people to feel special and celebrate their bodies. Fashion’s greatest gift is its ability to reflect a little bit of who we are through what we wear.

As seen in

  • The Times
  • Vogue
  • Harpers Bazaar
Page from a magazine featuring wearable jewelry art, including a prominent piece resembling an orchid brooch with turquoise, green, and clear stones, and a photograph of a woman wearing a large turquoise ring on her finger.
Open newspaper with an article featuring a large piece of jewelry or sculpture made from various colorful objects, resembling a human spine, with rings and jewelry shown below. The article highlights craftsmanship and artistic jewelry.
Page from a magazine featuring jewelry and two portraits of women. The jewelry includes a purple and gold necklace, a silver ring with blue stones, and colorful rings with intricate designs. The text is in Arabic, describing the jewelry pieces and th
Page from Vogue magazine featuring a group photo of six young fashion models with jewelry and accessories, including rings, necklaces, and watches, along with close-up images of some jewelry items. The article discusses their styles and accessories.
Photo of hands assembling jewelry with small tools and beads on a wooden surface.
A collage of four photographs showing nature and craftwork. The top left photo features a small red butterfly on green grass with tiny white flowers. The top right photo displays jewelry-making tools, including scissors, a cutting tool, and metal sha
A jewelry necklace made of multicolored beads and stones, displayed against a white background with calligraphic text written in Turkish.
A wall-mounted spice rack with many small jars holding various spices, with a cluttered wooden tabletop below containing scattered jars, scissors, papers, and other small items. To the right, there is a white cabinet with shelves filled with more jar

Bespoke Jewellery by madam mann